Van Gogh Was Driven by a Personal Desire to Share His Personal Feelings Through His Art

The iconic tortured artist, Vincent Van Gogh strove to convey his emotional and spiritual state in each of his artworks. Although he sold only 1 painting during his lifetime, Van Gogh is now i of the nearly pop artists of all time. His canvases with densely laden, visible brushstrokes rendered in a bright, opulent palette emphasize Van Gogh'due south personal expression brought to life in paint. Each painting provides a direct sense of how the artist viewed each scene, interpreted through his optics, listen, and eye. This radically idiosyncratic, emotionally evocative style has continued to impact artists and movements throughout the 20^thursday century and upwardly to the present day, guaranteeing Van Gogh's importance far into the hereafter.

Biography of Vincent van Gogh

Babyhood

Vincent Van Gogh was born the second of half dozen children into a religious Dutch Reformed Church building family in the s of kingdom of the netherlands. His male parent, Theodorus Van Gogh, was a clergyman and his mother, Anna Cornelia Carbentus, was the daughter of a bookseller. Van Gogh exhibited unstable moods during his babyhood, and showed no early inclination toward art-making, though he excelled at languages while attention 2 boarding schools. In 1868, he abandoned his studies and never successfully returned to formal schooling.

Early on Preparation

In 1869, Van Gogh apprenticed at the headquarters of the international art dealers Goupil & Cie in Paris and eventually worked at the Hague branch of the firm. He was relatively successful as an fine art dealer and stayed with the firm for virtually a decade. In 1872, Van Gogh began exchanging letters with his younger brother Theo. This correspondence continued through the end of Vincent's life. The post-obit year, Theo himself became an art dealer, and Vincent was transferred to the London office of Goupil & Cie. Effectually this time, Vincent became depressed and turned to God.

After several transfers between London and Paris, Van Gogh was let become from his position at Goupil's and decided to pursue a life in the clergy. While living in southern Belgium as a poor preacher, he gave away his possessions to the local coal-miners until the church dismissed him because of his overly enthusiastic commitment to his faith. In 1880, Van Gogh decided he could be an artist and nevertheless remain in God's service, writing, "To endeavor to understand the real significance of what the great artists, the serious masters, tell united states of america in their masterpieces, that leads to God; one homo wrote or told it in a book; another, in a picture." Van Gogh was still a pauper, simply Theo sent him some money for survival. Theo financially supported his elder blood brother his entire career, as Vincent fabricated most no money from making fine art.

A twelvemonth later, in 1881, dire poverty motivated Van Gogh to move dorsum home with his parents, where he taught himself to depict. He became infatuated with his cousin, Kee Vos-Stricker. His continued pursuit of her affection, despite utter rejection, eventually split the family. With the back up of Theo, Van Gogh moved to the Hague, rented a studio, and studied under Anton Mauve - a leading member of the Hague Schoolhouse. Mauve introduced Van Gogh to the piece of work of the French painter Jean-François Millet, who was renowned for depicting mutual laborers and peasants.

Mature Period

In 1884, after moving to Nuenen, Netherlands, Van Gogh began cartoon the weathered hands, heads, and other anatomical features of workers and the poor, determined to become a painter of peasant life like Millet. Although he found a professional calling, his personal life was in shambles. Van Gogh accused Theo of not trying hard enough to sell his paintings, to which Theo replied that Vincent'south night palette was out of vogue compared to the bold and brilliant style of the Impressionist artists that was popular. Of a sudden, on March 26, 1885, their begetter died from a stroke, putting force per unit area on Van Gogh to take a successful career. Shortly afterward, he completed the Potato Eaters (1885), his first large-scale composition and great work.

Leaving the Netherlands for the last fourth dimension, in 1885 Van Gogh enrolled at the University of Fine Arts in Antwerp. There he discovered the art of Baroque painter Peter Paul Rubens, whose swirling forms and loose brushwork had a clear impact on the young creative person'southward style. However, the rigidity of academicism of the school did not entreatment to Van Gogh and he left for Paris the post-obit year. He moved in with Theo in Montmartre - the creative person's district in northern Paris - and studied with painter Fernand Cormon, who introduced the young artist to the Impressionists. The influence of artists such as Claude Monet, Camille Pissarro, Edgar Degas, and Georges Seurat, likewise as pressure from Theo to sell paintings, motivated Van Gogh to adopt a lighter palette.

From 1886 to 1888, Van Gogh became acutely interested in Japanese prints and began to avidly study and collect them, even curating an exhibition of them at a Parisian eatery. In tardily 1887, Van Gogh organized an exhibition that included his work and that of his colleagues Emile Bernard and Henri de Toulouse-Lautrec, and in early 1888, he exhibited with the Neo-impressionists Georges Seurat and Paul Signac at the Salle de Repetition of the Theatre Libre d'Antoine.

Late Years and Death

The bulk of Van Gogh's best-known works were produced during the final 2 years of his life. During the fall and winter of 1888, Vincent Van Gogh and Paul Gauguin lived and worked together in Arles in the south of France, where Van Gogh eventually rented 4 rooms at ii Place Lamartine, which was dubbed the "Yellow Business firm" for its citron hue. The move to Provence began as a plan for a new artist's community in Arles as culling to Paris and came at a critical bespeak in each of the artists' careers. While at the "Yellowish House" Gauguin and Van Gogh worked closely together and developed a concept of colour symbolic of inner emotion and not dependent upon nature. Despite enormous productivity, Van Gogh suffered from various bouts of mental instability, likely including epilepsy, psychotic episodes, delusions, and bipolar disorder. Gauguin left for Tahiti, partially as a ways of escaping Van Gogh's increasingly erratic behavior. The artist slipped away after a particularly trigger-happy fight in which Van Gogh threatened Gauguin with a razor so cut off part of his ain right ear.

On May viii, 1889, reeling from his deteriorating mental status, Van Gogh voluntarily committed himself into a psychiatric establishment in Saint-Remy, near Arles. Every bit the weeks passed, his mental well-being remained stable and he was allowed to resume painting. This period became one of his nigh productive. In the year spent at Saint-Remy, Van Gogh created over 100 works, including Starry Night (1889). The clinic and its garden became his main subjects, rendered in the dynamic brushstrokes and lush palettes typical of his mature period. On supervised walks, Van Gogh immersed himself in the experience of the natural environment, later recreating from retentiveness the olive and cypress copse, irises, and other flora that populated the clinic's campus.

Shortly after leaving the clinic, Van Gogh moved north to Auvers-sur-Oise outside of Paris, to the intendance of a homeopathic doctor and amateur artist, Dr. Gachet. The medico encouraged Van Gogh to paint equally part of his recovery, and he happily obliged. He avidly documented his environs in Auvers, averaging roughly a painting a day over the last months of his life. However, afterwards Theo disclosed his program to become into business for himself and explained funds would be brusque for a while, Van Gogh's depression deepened sharply. On July 27, 1890, he wandered into a nearby wheat field and shot himself in the chest with a revolver. Although Van Gogh managed to struggle back to his room, his wounds were not treated properly and he died in bed 2 days later. Theo rushed to exist at his brother'southward side during his concluding hours and reported that his final words were: "The sadness will concluding forever."

The Legacy of Vincent van Gogh

Clear examples of Van Gogh's wide influence can be seen throughout fine art history. The Fauves and the High german Expressionists worked immediately afterwards Van Gogh and adopted his subjective and spiritually inspired apply of colour. The Abstract Expressionists of the mid-twenty^thursday century made utilize of Van Gogh'south technique of sweeping, expressive brushstrokes to indicate the artist's psychological and emotional country. Even the Neo-Expressionists of the 1980s, similar Julian Schnabel and Eric Fischl, owe a debt to Van Gogh's expressive palette and brushwork. In popular civilization, his life has inspired music and numerous films, including Vincente Minelli's Lust for Life (1956), which explores Van Gogh and Gauguin's volatile relationship. In his lifetime, Van Gogh created 900 paintings and fabricated 1,100 drawings and sketches, simply simply sold one painting during his career. With no children of his own, most of Van Gogh'due south works were left to blood brother Theo.

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Source: https://www.theartstory.org/artist/van-gogh-vincent/

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